Category: Fashion

Retail News Asia is committed to providing both local and global retailers with the latest Fashion news throughout the Asian market. This on a daily base.

  • Vegan fashion trend booming in Korea

    Vegan fashion trend booming in Korea

    Stroking down the plush set of colorful fibers, it is hard to tell they could be anything but fur. Hanging in the corner of an ethical fashion store in Dongdaemun, the fur-free fur coats and silk-free silk robes are soft and luxurious, but without the cost of brutality against animals. Striving to spare harm inflicted on animals for the sake of style, vegan fashion has been spreading in South Korea in recent years.

    The word “fake” does not fully describe the trend, as the garments are not purposed as second choice low-quality replacements. They are considered more of a fashionably ethical statement now, rejecting the use of animal materials or cruelty in obtaining them.

    Strictly speaking, vegan fashion is different from eco-friendly fashion, although the phrases are often used interchangeably. Something vegan may not necessarily follow best practices for the environment, or vice versa, but the two often go hand in hand.

    The international movement toward fashion going vegan began its rapid spread as many prominent luxury brands announced themselves “fur-free.” In October last year, Gucci went fur-free, followed by British fashion company Burberry in September this year. Other pricey labels, including Versace, Giorgio Armani, Tom Ford and Ralph Lauren have also declared moves to ban fur.

    Britain’s Stella McCartney — the second-generation animal rights activist daughter of Linda and the Beetles’ Paul McCartney — is believed to gotten the ball rolling in 2001, and currently stands as one of the leading eco-friendly fashion brands in the world. Now, slapping on the word “vegan” is a marketing strategy seemingly guaranteeing good sales.

    The vegan and similar fashion trends are more prevalent in the winter, as outdoor labels increasingly introduce items that either exclude animal materials or try to stick to ethical standards in using animal matters.

    A number of global outdoor companies, including The North Face, Adidas and Reebok, have launched “Responsible Down Standard” certified down coats this winter. RDS is a global standard developed in 2014 to ensure that down and feathers come from animals that have not been subjected to unnecessary harm. Local outdoor brand Black Yak also received RDS certification for all of its down coats released this year.

    Some brands have taken it a step further and developed artificial materials as replacements. The North Face introduced its own thermal filling, “V-Motion,” in 2016, and ‘”T-Ball” this year, whereas LG Fashion’s A.T.Corner presented as its 2018 winter centerpiece a mustang jacket with eco-fur lining inside.

    According to Galleria Department store, which held an eco-friendly fashion week at the end of last month, environmentally friendly garments, including animal-free ones, have increased by 20 percent compared to last year on the women’s fashion floor.

    GS Shopping, a TV shopping firm, exceeded its initial sales goals for RDS certified items, including Reebok’s heavy goose down long coat, which sold out in less than half an hour on the channel.

  • Canada Goose opens store in Beijing

    Canada Goose opens store in Beijing

    Winter clothing firm Canada Goose has finally opened its first Mainland Chinese store in Beijing. In a launch rumoured to be delayed due to political tensions between China and Canada – and dismissed by the firm as the result of construction delays – extensive queues saw shoppers waiting for over an hour for the opportunity to purchase the CNY9000 (US$1300) parka jackets.

    The brand has previously enjoyed significant popularity in Hong Kong.

    An email from the firm to news agency Reuters read “We are proud of our newest store in China and look forward to welcoming our fans”.

    Calls to boycott the brand were made on social media following Canada’s arrest of Huawei Technologies’ CFO Meng Wanzhou, a situation that has sparked a 37 per cent drop in the value of Canada Goose shares in Toronto.

  • Pooey Puitton toy purse makers file lawsuit against Louis Vuitton

    Pooey Puitton toy purse makers file lawsuit against Louis Vuitton

    Toy company MGA Entertainment has preemptively sued Louis Vuitton in an attempt to prevent the fashion house from taking actions that might impact sales of its slime-filled children’s purse Pooey Puitton. Filed 28 December 2018 in Los Angeles federal court, the lawsuit aims to prevent any potential claims of trademark infringement that Louis Vuitton might have against the plastic, poop-shaped purse.

    Instead, it asserts that the product is a “protected parody” of Louis Vuitton’s luxury handbags.

    The Pooey Puitton plastic purse takes the shape of a poop emoji with a handle and sparkly eyes. It is printed with a colourful, printed monogram, similar to the floral trademark pattern found on Louis Vuitton products, particularly the Spring/Summer 2003 collaboration with Japanese artist Takashi Murakami.

    Intended as a children’s toy, the purse is designed to store “unicorn poop”, a glittery toy slime.

    The children’s toy manufacturer launched the lawsuit in response to a claim that Pooey Puitton’s name and image violates the fashion label’s intellectual property rights.

    But MGA Entertainment asserted that “no reasonable consumer would mistake the Pooey product for a Louis Vuitton handbag”, citing the difference in material, price, marketing and stockists.

    According to the toy giant, the product is actually a parody of the luxury fashion brand, “designed to mock, criticise, and make fun of the wealth and celebrity” associated with Louis Vuitton products.

    “The use of the Pooey name and Pooey product in association with a product line of magical unicorn poop is intended to criticise or comment upon the rich and famous, the Louis Vuitton name, the ‘LV’ marks, and on their conspicuous consumption,” the statement reads.

    The interlocking “L” and “V” floral monogram pattern was designed by Louis Vuitton’s son, Georges Vuitton, in 1896.

    This is not the first time that MGA Entertainment has found itself in legal battles. The brand was famously sued by Barbie-manufacturer Mattel for allegedly stealing the idea behind its Bratz doll franchise.

    Elsewhere, Virgil Abloh – who was appointed artistic director of menswear for Louis Vuitton in March 2018 – unveiled his polychromatic menswear collection for the brand during Paris fashion week.

  • Lancome pop-up store opens in Pavilion KL

    Lancome pop-up store opens in Pavilion KL

    Lancome is set to launch its first exclusive pop-up store at Pavilion Kuala Lumpur. The Lancome pop-up store will open from January 7 until February 15 in celebration of the Chinese New Year and be promoted via a “Wish Big” campaign offering limited edition beauty products alongside other prizes, including a grand prize trip to Paris.

    Store visitors will be able to sample Lancome’s Advanced Genifique product as well as send personalised CNY e-greetings and enjoy various interactive activities. Shoppers will be able to buy from several limited edition Lancome bestsellers.

     

  • JD stores open in Beijing and Mongolia

    JD stores open in Beijing and Mongolia

    Chinese online retail giant JD has opened two new innovative stores at Beijing Capital International Airport (BCIA) and Hohhot East Railway Station in Inner Mongolia. In a move to further expand the firm’s “boundaryless retail” strategy, the JD travel retail stores use the e-commerce company’s latest retail technology in order to make it easier and more enjoyable for travellers to purchase on the go. The openings add airports and railway stations to JD’s offline retail offerings, which already include convenience stores, supermarkets, and partnerships with hotels.

    Located in the departure lounge of Terminal 3 at BCIA for the next three months, JD’s pop-up store will offer popular travel items such as daily necessities, clothing, mobile accessories, beauty products, and bags and suitcases. The store uses JD’s smart store technology to understand how customers interact with products as well as which products to offer them. The integrated JD Zu Chongzhi platform can analyse customer behaviour and traffic flow, such as generating heat maps, in order to assist with product selection and inventory management, ensuring smooth store operations.

    “[Stocked] with items popular among travellers, the new shop will not only offer the products they want to buy most on their journeys – it will also allow them to personally experience what shopping of the future will be like, brought to them by China’s largest and most innovative retailer,” a spokesperson for BCIA said.

    The 100sqm unmanned Hohhot East Railway Station JD travel retail store opened in partnership with China Railway Express. It also makes the most of JD’s technological capabilities, with features such as facial-recognition payment and smart vending machines. Later, the store will make use of a Mini Program in WeChat so that customers can choose to buy on the spot and take their purchases with them, or shop online and have them delivered to a convenient location.

    JD Logistics and China Railway Express have been cooperating in logistics transportation since 2014, and have worked together to help facilitate the JD Luxury Express “white glove” delivery service as well as fresh food delivery via high-speed rail.

    “Many of our customers enjoy shopping while traveling and we’re determined to make sure they benefit from the convenience of JD wherever they are,” JD’s GM of social e-commerce and retail innovation, Bing Zhang, said.

    The new JD travel retail stores in Beijing and Inner Mongolia will provide them with a truly seamless experience that is unrivalled anywhere”.

  • Blackberrys Charts Upon The Next Growth Chapter

    Blackberrys Charts Upon The Next Growth Chapter

    Following an exceptionally successful year, amidst 8 months of re-branding, Blackberrys plans to significantly increase its long-term guidance in 2019. In April 2018 the company revealed its new face to the world after 27 years of its inception. In 2019, Blackberrys intends to strongly accelerate its retail presence and sales growth as part of its long-term strategic business plan.

    Blackberrys is currently present across 350 cities in India and operates more than 260 EBOs and 700+ MBOs. In 2018, Blackberrys added 50 new doors to its retail footprint and is confident of adding upto 50 more in the current financial year.

    In the New Year the company will continue bolstering marketing programs both in store and through online and offline media. The company has earmarked a marketing budget of Rs 55 crore for the current financial year.

    In 2018, Blackberrys launched several consumer centric brand campaigns including India Khaki week, The Distinguished Gentleman Rides, Style partnership with Bollywood blockbuster Race 3 and Lord of Giza to name a few, which were very well accepted by the customers and trade alike.

    Blackberrys is consistently investing in building a par excellence consumer experience using Machine Learning based analytics, and extensively leveraging the digital presence for redefining the Indian man’s Fashion journey.

    Nikhil Mohan, Founder Director at Blackberrys sharing his thoughts on the same added, “Our 2018 results and our positive outlook for 2019 are proof that our strategy is paying off. Company’s growth, grounded in deep acceptance of our brand, led by the product quality, innovation and service, is remarkably healthy. The new development model implemented across, has paved the way for increased value creation along with profitable, sustained and consistent organic growth. We are expecting an accelerated growth in coming years with a strong focus on developing newer wardrobe propositions and our retail presence across the country.

    Nitin Mohan, Co-founder Director at Blackberrys said, “We are committed to developing a ownership and entrepreneurial brand culture at employee level as it’s pivotal for the company in achieving its long-term objectives. As part of the accelerated growth plan, Blackberrys is focusing its HR initiatives on talent development and performance management.  The company plans to launch its new office very soon in Gurgaon, reflecting the collaborative work culture and with a young & fresh look and feel.”

  • Honey Birdette debuts in US

    Honey Birdette debuts in US

    Australian Lingerie brand Honey Birdette has launched its first US store in Westfield Century City, Los Angeles, focused on a unique design including whisky bar carts and ‘press-for-champagne’ buttons. The store will offer exclusive and limited-edition products, and is fronted by a glass mirrored store front centred by a gold tiled entry arch.

    “We are focusing on unique designs concepts for all of our future boutiques and each footprint will have its own unique element,” Honey Birdette founder and managing director Eloise Monaghan said.

    “Some might have a champagne bar for example, a private salon in one, a peep show in another, a stage or a catwalk.”

    The store opened to more than 500 shoppers who lined up to shop the brand physically for the first time in the US, and featured a DJ, champagne towers and confetti cannons.

    The brand currently trades within 57 locations in Australia, as well as across three locations in the United Kingdom.

  • Kathmandu Australia drops expectations after slow holiday sales

    Kathmandu Australia drops expectations after slow holiday sales

    Outdoor retailer Kathmandu has seen sales fall over the first 15 weeks of the 2019 fiscal year after sales during the December Summer Sale failed to reach expectations, deflating the retailer’s projections for 1H2019. Same store sales for the 22 weeks ending 30 December fell 1 per cent year on year, falling 0.2 per cent in Australia and 2.4 per cent in New Zealand.

    “Following strong same store sales growth in Q1, we are disappointed in trading results in Australia and New Zealand over the Christmas and Boxing Day period,” Kathmandu chief executive Xavier Simonet said.

    “Despite sales being below expectation it is pleasing to see the improvement in retail gross margin and continuing strong growth from the recently acquired Oboz business.”

    Gross margin improved to roughly 64 per cent over the period, partially offsetting the lower than expected sales to date for the 2019 year.

    First half sales in US footwear brand Oboz are now projected to grow 35 per cent to approximately $23.5 million (NZ$27.5 million), and see a gross margin of 40 per cent.

    Total group profits are expected to reach approximately 4 – 8 per cent above 1H2018, assuming current trends continue.

  • Japanese cosmetics surges in export number

    Japanese cosmetics surges in export number

    Japan’s cosmetics exports are on track to surpass 500 billion yen ($4.53 billion) for the first time in 2018, marking a sixth consecutive record year, thanks to Asian tourists who continue to buy these products after returning home. Exports in the January-November period grew 44% on the year to 482.8 billion yen, according to a tally of 16 types of cosmetics compiled from trade data by Nikkei. Demand for gifts tends to boost exports in December, and with major cosmetics makers’ plants running at high capacities, the full-year figure is expected to reach around 520 billion yen.

    Mainland China was the top buyer from January through November, accounting for 34.9% of exports by value, followed by Hong Kong at 25.9%, South Korea at 10.3%, Taiwan at 7.3% and Singapore at 7.3%. Asia accounted for 90% of the total.

    Japan’s cosmetics exports have tripled in the last four years along with a rise in visitors to Japan. Exports exceeded imports for the first time in 2016 as inbound tourism creates new customers for high-quality Japanese goods who continue to buy them online or in stores upon returning home.

    Cosmetics exports are likely to keep climbing in 2019. China will implement in January its first e-commerce law, which will require domestic online platforms to register with the government. With the crackdown on illegal marketing, direct exports of Japanese cosmetics are expected to increase as smaller Chinese retailers that sell goods procured directly from shops in Japan decline.

    Top cosmetics makers are also actively expanding their sales. Shiseido plans to begin in 2019 officially selling new products in China from its namesake mainstay brand, which launched worldwide this fall. The company will open a facility for collaboration with Alibaba Group in Hangzhou from January and jointly develop products with the Chinese e-commerce empire.

    Kao plans to double the number of stores in China carrying its popular Freeplus skin care brand to more than 2,000 by 2020. It will also cultivate sales for its makeup brand Kate, which launched a Chinese marketing campaign in December. Kose is accelerating the online sales campaign it began in China this autumn for its luxury brand Decorte.

    Japanese cosmetics makers are increasing the capacity of domestic plants to meet the surging export demand. Shiseido plans to bring a new domestic factory online in 2019 for the first time in 36 years, in Tochigi Prefecture, to produce more items like skin care products. It will also begin operations at a new facility in Osaka Prefecture in 2020.

    Kao will roughly double production for its Freeplus brand from 2017 levels, too, by investing in its main factory in Kanagawa Prefecture. Boosting domestic production is likely to encourage exports further by increasing supplies of “made-in-Japan” cosmetics.

  • Goldwin tops sports market growth through store investment

    Goldwin tops sports market growth through store investment

    Marketing of sports brands has become increasingly retail-led in the last decade and a focus on retailing has enabled Goldwin to make serious gains while the two biggest domestic brands, Asics and Mizuno, have been distracted by overseas expansion. Goldwin took a close look at its beleaguered business 15 years ago and decided retail could be its salvation. At current rates it will catch up with Mizuno’s domestic sales in a few years.

    Goldwin was a struggling sports apparel distributor 15 years ago, floundering in declining wholesale channels, the implosion of the ski boom, and a fear of risking all on expensive retail investment, resulting in sales collapsing from a peak of ¥78 billion to less than ¥50 billion.

    No longer. The rights owner for The North Face and Helly Hansen in Japan posted another strong set of results in 1H2018: sales jumped 16.2% to ¥33.4 billion and operating profit doubled to ¥3.1 billion. The strong first half follows an equally good 2017 when sales rose 15.6%, the eighth straight year of growth. Operating profit reached ¥7.1 billion, up 81% and the highest for 25 years.

    Sales for FY2018 ending March are expected to come in 13.6% higher at ¥80 billion, with operating profit of ¥9.1 billion, up 28.1%. If these numbers turn out to be correct, Goldwin will have achieved it highest sales ever and met the goals set out in its medium-term plan ending March 2021, two years ahead of schedule. It has now updated the medium-term plan from ¥80 billion to ¥90 billion in sales, operating profit from ¥6.5 billion to ¥11 billion, and an ROE of 15% against a forecast 11.2% (the ROE in FY2017 was 15.4% and is forecast at 18% for FY2018).

    What has changed? The key factor is the success of its outdoor brands, which accounted for ¥49 billion, or 70%, of sales in FY2017, and in particular the change in management’s willingness to invest in retail stores in shopping centres a decade ago.

    Since the decision to invest in retail, Goldwin has opened well-executed stores in busy malls such as Lalaport and Lumine, as well as some very popular outlet stores. Today, its own directly operated stores account for 56% of sales. In addition, Goldwin garners another 5% of sales from e-commerce, still a small percentage but online sales were up 50% in a year. This performance is far better than either of the two largest domestic brands, Asics and Mizuno. Goldwin had little choice than to risk all given its dependence on the Japanese market for almost all its sales, forcing it to seek an alternative to its traditional wholesale model.
    Goldwin has focused investment on key brands rather than try to lift all boats at once.

    The growing appetite for outdoor fashions from both active consumers and those who just like the outdoor look, has helped propel The North Face and Helly Hansen in the last few years. In contrast, other Goldwin brands, like Ellesse, Canterbury and Speedo, which are sold at wholesale and through department store corners, have seen sales languish, falling 3.3% in FY2017.

    What is impressive about Goldwin’s stores is relentless effort to attract new footfall. In-store events are held regularly to pull in customers and deepen interaction, with customer feedback passed back to product planning and marketing teams. Goldwin also locates stores close to outdoor sports activities, such as its Nagano and Niseko The North Face Gravity stores which combine merchandise sales with ski rental services and even a library of books on outdoor sports. At the new National Stadium in Gaien-mae, it has opened an athletics complex/store called Neutralworks by Goldwin.
    On the supply side, Goldwin has worked to simplify supply chains through more direct contracts with factories, which in turn has helped streamline inventory management, resulting in a lower cost of sales, better sell-through and an increase in operating profit margins from 4.9% to 9.4%.

    Given the intense competition and the plethora of similar product from multiple sports brands, Goldwin has been investing in product innovation for both its own brands and licensed product. In 2017 it built a technical research centre in Toyama – where the company was founded – at which it develops new fabrics and performance functions using environmental chambers and motion capture systems. It has also partnered with other companies: it uses a synthetic, protein-based, petroleum-free silk developed by Spiber (in which it has invested ¥3 billion) for jackets and hoodies, and has licensed odour-reducing, sweat-absorbing fabrics originally developed by Jaxa for astronauts’ underwear.

    Goldwin is now investing in stores for other promising brands. It opened stores in Aoyama, Tokyo and Sapporo for the US brand Woolrich in October, and forecasts sales growth of 6.5% this year. Goldwin plans 10 stores for Woolrich through FY2020. For its eponymous Goldwin brand it opened the first flagship store in November in Nijubashi Square in Marunouchi.

    Going forward, plans for overseas expansion look promising for the first time. In the last two years, it introduced a new logo and updated merchandise for the Goldwin brand. It will transform what was a domestic skiwear label into a lifestyle sports label with global reach, similar to Descente’s plans for its own brand. In A/W 2019 a new lifestyle collection of sports apparel and accessories will be launched at home and overseas – this year the ‘hero’ product, a down parka using synthetic silk from Spiber, was gold winner at the European sports trade show, ISPO Munich.

    Last year, Goldwin acquired a stake in Woolrich International, a UK-based entity that owns the Woolrich brand, and plans to “participate actively” in its global development, particularly in Asia, including production – it has created a premium collection for the brand this year.

    Investment in sports retail stores will increase at home over the next couple of years, with all major sports brands looking to expand. The success of Japan in the soccer World Cup, big expectations for the Japan team in the 2019 Rugby World Cup, and the upcoming Olympics in 2020 all contribute to consumer interest in sports. Goldwin itself is hoping for an afterglow effect after the Olympics – what it calls “Golden Sports Years” – but the even more important trend is growing interest in health and well-being in general.

    What also makes the prospects for sports brands so bullish over the next decade is that interest in active sports, and the attire to go with this, is common to all age groups in Japan. This includes the fast growing population segment, the over 60s, ensuring sustained demand for many years to come. Sports and sports fashion is in many ways one of the few consumer categories to be largely immune to a demographically challenged market like Japan.

    Some local sports firms have been complacent in taking for granted customer loyalty to Japanese brands, but Goldwin has matched international brands in development of solid retail concepts, mixing innovative products with store entertainment and services, the basis of its new found success. Asics and Mizuno will be hoping that investment plans in the next few years will be enough to restore the balance.

     

  • Thailand’s Supersports stores rebranded as fashion shops

    Thailand’s Supersports stores rebranded as fashion shops

    Thailand’s CRC Sports has rebranded its Supersports business as a sports fashion store in a move targeting millennials. Last month’s rebranding modernises the business’s image and transforms the performance store model into the fashion world. The logo has also been revised with green motifs to suggest environmental awareness.

    Three Supersports stores have already been updated with the new look, including the CentralWorld location, with 50 stores scheduled to follow early next year.

    President Tony Morton said: “Our new motto is ‘The new Supersports, where Sport is fashion’, in response to the trend of millennials being fashion-conscious, cool, healthy and cheerful.”

    The firm will also expand its online sales efforts in the coming year, with the total market size for sporting goods in Thailand expected to be worth THB30 billion (US$916.3 million) by the end of this year.

    Supersports drew in THB300 million ($9.163 million) in online sales last year – 3.5 per cent of Supersports’ THB8.5 billion ($259.78 million) total revenue – and expects online sales to reach THB500 million ($15.28 million) next year.

  • Miu Miu Siam Paragon boutique reopened

    Miu Miu Siam Paragon boutique reopened

    Italian fashion brand Miu Miu is reopening its Siam Paragon boutique as the first Thai location to introduce its new concept store. The new 140sqm outlet strengthens the brand’s presence in Bangkok with a refreshed interior design and new collections of its signature accessories, bag, shoe and ready-to-wear collections.

    Among Miu Miu’s current offerings are evening dresses enhanced by Swarovski crystals and garments featuring 60’s-inspired elements.

  • IDG Capital and Hong Kong-based I.T Group invests in Acne Studios

    IDG Capital and Hong Kong-based I.T Group invests in Acne Studios

    Acne Studios has sold minority stakes to China-focused investment firm IDG Capital and Hong Kong-based I.T Group, ending almost a year of speculation that the brand would be acquired by a larger rival.

    Acne, one of the earliest and most successful purveyors of the “Scandinavian cool” style that has since become popular across fashion and design, had held talks with potential buyers as far back as 2013, from French luxury conglomerate Kering to private equity firms. Earlier this year, the company was working with Goldman Sachs on a possible sale, at a valuation of up to €500 million ($570 million).

    Instead, IDG and I.T Group will acquire stakes of 30.1 percent and 10.9 percent respectively, from Öresund, Creades and PAN Capital, Acne said in a statement Sunday. Founder Jonny Johansson and executive chairman Mikael Schiller will remain majority shareholders in the business.

    When Acne began shopping itself around earlier this year, the M&A market for fashion and luxury was booming, powered by perceived growth opportunities and increasing market complexity that made it harder and harder for sub-scale players to compete without greater access to the capital — and expertise — that sophisticated and deep-pocketed strategic or private equity investors can bring to the table. Over the course of 2018, Dries Van Noten sold a majority stake to Spanish luxury group Puig for an undisclosed sum, and Missoni sold a 41.2 percent stake to FSI Mid-Market Growth Equity Fund in transaction worth €70 million. Most recently, Michael Kors acquired Versace for $2.1 billion.

    But in recent months, the temperature of the market has changed. The ongoing trade spat between the US and China has fuelled economic uncertainty and raised questions about the future of luxury demand. Shares of publicly traded luxury brands have plummeted.

    The Stockholm-based label, founded in 1996, launched as a niche denim brand and has since built a strong modern contemporary-luxury name, well known for its upscale ready-to-wear and a distinct Scandinavian vibe that is popular with streetwear-attuned millennials. While the brand has yet to develop a strong leather goods offering, its sneakers are gaining traction. Last year, it generated $221 million in sales revenue with Ebitda, a measure of operating profit, of $35 million. It has over 50 own-brand stores in 13 countries.

    However, sales growth slowed at the brand last year, rising just 9 percent, the slowest pace in at least a decade, according to a Goldman Sachs presentation to potential buyers. The brand still generates 43 percent of its sales through a network of 600 wholesalers, a potential point of vulnerability in a world where direct-to-consumer fashion is stealing market share from department stores.

    Acne’s two new investors are likely to give the brand a leg up in Asia, already a key source of growth (Asia drove one-quarter of Acne’s sales last year, second only to Europe, according to the Goldman presentation). I.T Group has served as Acne’s Asian retail partner since the early 2000s. IDG Group, which has also invested in Farfetch and Moncler, specialises in expansion opportunities in China and the rest of Asia (10 of the firm’s 13 offices are based in the Asia region).

    “Acne Studios will greatly benefit from their extensive know-how within fashion and the rapidly evolving universe of online and offline retail,” Schiller said in a statement.

  • Raf Simons exits Calvin Klein

    Raf Simons exits Calvin Klein

    Raf Simons is exiting Calvin Klein less than two years after his debut as its first chief creative officer and eight months before the end of his contract. The brand will not stage a runway show in February. The designer’s stint at Calvin Klein — coming after his turn as artistic director of women’s haute couture, ready-to-wear and accessory collections at Dior — won plaudits within the industry but failed to resonate commercially. His exit was widely expected after Calvin Klein parent PVH Corp. chief executive Emanuel Chirico last month criticised the brand’s uneven financial performance and skew toward “high-fashion” under Simons.

    “Both parties have amicably decided to part ways after Calvin Klein Inc. decided on a new brand direction which differs from Simons’ creative vision,” the company said in a statement. A representative for Simons declined to comment.

    Simons’ appointment in 2016 was met with much fanfare. The Belgian designer, as well known for his cult menswear label as his well-regarded stints at Jil Sander and Dior, was given a multi-million-dollar salary and the title of chief creative officer, with oversight over all aspects of marketing and design for the American megabrand, a degree of control he did not have at Dior.

    From the start, hiring a high-concept fashion designer for a brand best known to consumers for its denim, underwear and provocative marketing was a risky move. But PVH leadership saw competing businesses like Ralph Lauren stagnating for lack of creative innovation, while European stalwarts like Gucci soared after radical creative overhauls.

    With Simons, Calvin Klein hoped to not only generate a halo effect for its lower-priced products, but transform the label’s high-end ready-to-wear business, renamed 205W39NYC, from a marketing expense into a commercial powerhouse.

    But from the very beginning of Simons’ tenure, there was a disconnect between his personal aesthetic and the needs of a multi-billion-dollar, multi-tiered brand, driven less by high design and more by mass marketing, an area in which Simons had no experience. His first advertising campaign for the ready-to-wear collection, received mixed feedback. Shot by longtime collaborator Willy Vanderperre, it was arty and bloodless; far from the sexualised minimalism for which the brand was so well known.

    Yet there was plenty of industry praise for Simons’ catwalk shows. And in the first season alone, doors selling 205W39NYC jumped from 30 to 300. What’s more, Simons seemed committed to the cause of translating his designs into mass sales, visiting with Macy’s executives and hiring the Kardashian family to pose for underwear and denim advertisements.

    As recently as March, PVH appeared committed to the partnership as well, with Chirico touting the “credibility” that 205W39NYC would bring to the brand’s other lines. But PVH’s patience began to wear thin over the course of 2018, as the buzz generated by Simons failed to translate into consistent revenue growth.

    In September, a runway concept that required Simons to show off-site (recent catwalks have been held on the ground floor of the company’s headquarters) was scrapped due to budgetary constraints. Then, according to multiple sources, PVH expressed concerns that Calvin Klein’s extensive partnership with the Andy Warhol Foundation — which included merchandise — was too arty and high-brow for a mass audience.

    PVH, which also owns Tommy Hilfiger, missed sales projections in its most recent quarter. And Chirico last month called out the 205W39NYC ready-to-wear collection’s failures, adding that Calvin Klein’s recent denim collection had been a “fashion miss.” The brand’s revenue grew just 2 percent in the third quarter to $963 million. PVH shares are down 35 percent this year.

    “We will cut back on a number of these planned investments in the 205 collection business, and as we move forward, we will [be taking] a more … commercial approach to this important business,” Chirico said after PVH released financial results in November, adding that Calvin Klein will shift the focus of its marketing campaigns from high-fashion to more affordable items targeting a more mainstream audience.

    In recent months, the company had begun to dial back on some of Simons’ responsibilities, installing L’Oréal veteran Marie Gulin-Merle to be Calvin Klein’s new chief marketing officer, reporting not to Simons but to the brand’s chief executive Steve Shiffman.

    Simons earned multiple awards from the Council of Fashion Designers of America during his time at Calvin Klein and his absence will be keenly felt at New York Fashion Week, where he was one of the few designers who could command true international attention.

    “Raf brought a unique point of view to American fashion and the CFDA wishes him future success,” said CFDA chief executive Steven Kolb. “Calvin Klein is an iconic American brand that will continue to flourish under new creative direction.”

  • Palm Angels flagship opened in Causeway Bay

    Palm Angels flagship opened in Causeway Bay

    Palm Angels Hong Kong has opened its first flagship store, selecting a site in Patterson Street, Causeway Bay. The interior of the store was designed by Palm Angels founder and creative director, Italian Francesco Ragazzi, in partnership with Studio April. From the outside, the store draws the attention of passersby with its minimalist facade, bright LED signage and white lacquered glass panels.

    The interior design was inspired by a white cube gallery and clothing is displayed throughout the store more like pieces of art. The floors are made from polished marble and steel furniture stands out against white walls.

    The Palm Hong Kong flagship also features paintings and neon artwork created by Canadian artist Thrush Holmes.

    In June, Palm Angels Hong Kong opened a pop-up store in partnership with global fashion group HBX to introduce the exclusive Palm Island capsule collection and gauge interest in the brand among Hongkongers.